‘He manages to make me look like a blond Hitler’: Alan Bennett’s pandemic diaries reviewed
You have to be a major National Treasure to get away with publishing a book of only 49 pages, especially when the text has already appeared in…
Habeas Corpus, review: a mischievous rebuff to the grim reaper of censorship
The merrily unhinged tone is set by Ria Jones, a musicals stalwart making her “straight” debut. She bustles on with a hoover in the prattling charlady character…