Does any film have a classier opening than The Ipcress File? After a superbly executed scene involving a scientist on a train, we cut to Harry Palmer waking up in his blue pyjamas and making coffee. Never has the act of grinding beans and boiling a kettle been so compelling. Add in John Barry’s score, and we’ve achieved perfection.
If ITV’s new version of The Ipcress File didn’t have the 1965 film and Michael Caine’s performance to live up to, it would be a pretty good drama. Gorgeous period stylings, an atmospheric production and assured direction all do justice to Len Deighton’s Cold War spy story, first published in 1962.
But if you’re remaking a screen classic, you need to go one better, otherwise what’s the point? Instead, this six-part series strays into homage, right down to replicating the moment in which Palmer gropes for his glasses to bring the room into focus.
Joe Cole, talented actor though he may be, is on a hiding to nothing here. Michael Caine built his career on charisma and Sixties cool. Cole can’t get anywhere near it. The first episode fleshes out Palmer’s backstory by showing us his time as an Army corporal in Berlin. In his beret, he brings to mind Frank Spencer. Not helpful when Palmer is supposed to be a ladies’ man. Cole homes in on the character’s insolence and aloofness, but doesn’t deliver on charm.
Writer John Hodge’s main innovation is to give more screen time to fellow agent Jean Courtney, played in the original film by Sue Lloyd. It’s a one-note performance from Lucy Boynton, with a deadpan tone and stony expression that don’t budge for the entire first episode.
